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The writers who come to my mind are Arthur Hailey, Stephen King, John Grisham, Somerset Maugham, Arthur Conan Doyle, Thomas Hardy, and Indian authors such as Anita Desai, Kamala Das, Shashi Deshpande, R K Narayan, Ruskin Bond, etc.
One of the more recent novelists I read was Paula Hawkins, whose The Girl on the Train I found quite engaging.
CONTEMPORARY RELEVANCE
One reason my fiction reading has reduced over the years is my preoccupation with work, which has largely revolved around real-life events, people, and issues. Naturally, my inclination shifted to reading non-fiction books or watching programmes related to current events or history which provide a context for understanding the present.
What I enjoy most about non-fiction -- like travelogues, biographies, books on contemporary or historical issues -- is its immediate relevance. It adds to my general knowledge and often helps in work-related situations. Whether it’s a book, an article, or a documentary, I value what it teaches me about the world around us.
LEARNING THROUGH FICTION
Fictional stories are often read for relaxation or entertainment. But good fiction can also educate. Though the plot itself might be imaginary, the details through which it unfolds are often grounded in fact.
Take Arthur Hailey, for instance. His novels are among my favourites because he researched extensively before writing. Each of his books is set in a different industry. For example, cars, tourism, finance, media, medicine, and so on. His stories are not only entertaining but also informative, giving readers insights into how different industries operate.
This is what makes storytelling so powerful: even when the theme or plot is fictional, it illuminates the real world.
STORYTELLING: THE COMMON THREAD
Whether fiction or non-fiction, storytelling lies at the heart of it. After all, both forms narrate something that has happened, or could have happened.
That’s why news reports are also called “stories” in journalistic parlance, though they are based on real-life events. Storytelling, in any form, aims to inform, educate, and / or entertain.
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If I am familiar with the work of a particular author, that makes choosing the book easier. But if it’s the first book, then I tend to be a bit sceptical.
For me, the plot or the theme should be appealing, something that I can relate to. Even if the plot is unreal, really far removed from reality, I should still be able to connect with it at some level.
However, what matters to me the most is the clarity of narration. Even if the plot is really good, if I am not able to understand the way the story is told, I tend to lose interest. In a crime thriller, for example, one might not even understand what is happening, but if the language is clear and impactful, that’s enough to keep me turning the pages.
THERE IS NO TEMPLATE
Creative works don’t have a template. It’s very difficult to establish why a book or a movie has been liked by a lot of people. It’s difficult to define “a good plot or a good theme”. It’s a lot about emotions, how one relates to the central piece of work. Each person has their own preferences and inclinations.
It would be nice to know what your reading preferences are.
(This post is part of Blogchatter's Blogchatter Blog Hop)